The Remix of Politics
By Rick Silva
"To prevent undue wreckage in society, the artist tends now
to move from the ivory to the control tower of society."–
Marshall McLuhan
70 years ago John Heartfield
used a razor blade to cut and reconfigure photos of Hitler into
pointed criticisms. Today, artists and hacktivists are using Photoshop,
Protools and Final Cut as their razor blades for splicing politics.
From conceptually revealing to unbelievable continuity to interactive
to performative, every mix is careful in its media and manipulation.
Three radically different approaches to the remixing of political
images are the works of Shepard Fairey, Jon Haddock and bushorchimp.com.
In Fairey’s work he uses the visual cues of past politics
to remix images of Stalin, Mao, Castro and Nixon, and then places
them in the modern urban setting. Fairey even encourages the copying
and pasting of his stickers and posters by fans of his art, much
like a political party would have its supporters do. A bit more
gallery-bound than Fairey is the artwork of Jon Haddock. Haddock
turns famous political events into The Sims style “Screen
Shots.” His Photoshop covers of events like the anonymous
man standing down a tank in Tian'anmen Square and Civil Rights protesters
being fire hosed in Birmingham give us a version of the events different
from the ones in our media memory. The internet itself, however,
has no memory (or, very little) so to make a presence online sites
like bushorchimp.com use the power of internet hype. Linked to countless
blogs and forwarded to millions of emails bushorchimp.com became
“the link of the day” for months. Now that the hype
is over, the word is out, and the site has the obligatory “buy
our t-shirt” link up, we can revisit it in a new context;
as a critical take on G W Bush, using Kuleshovian juxtaposition
and shape matching as a visual remix tactic.
When remixing the sounds of politics the State of The Union Address
is often the a capella of choice. In 1994 audio artists The Evolution
Control Committee released two tracks devoted to remixing George
Bush Senior’s SOTU address in their “Gunderphonic”
l.p. The tracks, called “Bush Speech (corrected) parts 1 and
2,” redo the president’s declaration of war on Iraq.
Each track is about a minute long, in part one Bush’s cut-up
says, “What we are doing is going to be another Vietnam”
and in part two “The answer is clear, we are here for just
the price of a gallon of gas.” These cut-ups are so well done,
using a constant room tone and natural breathing pauses, that the
ear has little chance to catch the edits. And as skilled a splicers
as ECC are, it also helps that the Bush family speech pattern is
so remix friendly. As diymedia.net says “their speaking style
seems to lend itself to translation - or maybe it's just the fact
that the disconnects between their rhetoric and reality are so incredibly
huge as to compel reinterpretation.”
The Bush sample-ease gene is also helpful when rearranging video.
In fuckitall.com’s video remix of George W. Bush’s SOTU
address the continuity is impeccable. The remixer uses cutaway shots
of the audience to bandage the jump cuts. In step with fuckitall.com’s
site theme G W Bush’s cut-up says “We have a great opportunity
during this time of war to lead the world towards suicide and murder.”
In 2002 W.Blake@scotoma.org posted to the nettime mailing list the
G W Bush SOTU address (word frequency remix). This minimal, statistical
take on political remixing is the opposite of the seamless mix tactic,
but just as effective. The speech is separated into groups of words,
“and” is at the top of the list with 185 uses in the
speech, “evil” and “September” are halfway
down with 5 uses of each, and words that get used only once like
“poverty” at the bottom of the list. The speech reveals
itself through the remix as a repetitious brainwashing.
When political remixers add music to their cut-ups they remove the
original context, the pressure to make it sound real is gone and
a new layer of meaning added. These musical mixes by groups like
the Department of Corrections change the meaning of the speech with
tone and tempo as well as new structure. In “DSMO (Ronan and
friends vs. GW)” by Dubya’s for War, the SOTU address
is interrupted by samples of Homer Simpson’s voice of reason
and matched to techno beats. Others, like “George the Genius”
by J. Buckley compile recordings of G W Bush fumbling his words
and thoughts and mixes them with spacey down tempo beats. “GWB”
by Atom Project mixes G W Bush speeches with ones of Gerald Ford
and Hitler. Casseteboy’s song “Bush vs. Blair”
has very little of the two leaders speaking, but focuses more on
terrorism and media. Working in the music video genre the “Read
My Lips” video mix is a cut-up where G W Bush and Tony Blair
seem to karaoke the Lionel Richie song “Endless Love.”
This mix isn’t really credited to anyone, but is a mirrored
download from several hotspots on the internet back to a Norwegian
zine. In Steev Hise’s “Nexus-6” video he interlaces
Bladerunner scientific fiction with G W Bush future war political
fact to give us a glimpse of an apocalypse soon. In the video “Blair@TUC”
by Eclectic Method Blair’s cut-up says “Military action
would be an act of terrorism in which the corporations will win”
all the while the red “live” notice on the lower left
of the screen shifts from “live” to “evil”
then back again. Reagan, Clinton, Rumsfeld, Nixon, and Dan Quayle
also get treatments in diymedia.net’s Truthful Translations
of Political Speech Or, “What they really meant when they
said that" section.
Real time remixes of G W Bush can also be found online. In the lemonbrovil.co.uk
site the user can choose from 4 categories of words sampled from
GWB speeches and one group of sound effects. The user arranges them
in a timeline and presses play and a cartoon of G W Bush acts out
the reanimated speech assembled by you. In Golan Levin’s Axis
Applet project for the Whitney Museum’s Code_doc show Levin
uses a map of the world to remix G W Bush’s “axis of
evil” SOTU address. Riffing off of a satirewire.com story
called “Axis of Just as Evil” Levin lets us pick our
own trio of nations by clicking around the map, and then the java
app generates that trio of nation’s “axis of.”
The Canadian, Brazil, United states axis is “The axis of huge,
oil producing, vodka-exporting, nuclear-powered, Olympic judo silver
medal winning, cannabis cultivating, US-bullet buying, Simpsons’
travel destination countries.”
Taking the remix into its inevitable multi-media step Randall Packer
of The U.S. Dept of Art and Technology and The Experimental Party
has embarked on a subversive and avant-garde take on politics and
press release culture. He and his staff are currently on a campaign
tour addressing their “10,000 Acts of Artistic Mediation”
platform. The declaration “calls on all artists and all arts
institutions, large and small, to make artistic action a central
value in our daily life and work” furthermore it asks “young
artists from all 50 states to help overcome society's anxieties
and heightening insecurity by participating in the jettison of reason
and the escape from the clogs of convention in surrender to the
unbridled sure of spirit and fantasy.”
From image and text to audio and video to performance, politics
get mixed and remixed.
What could be next? Here’s a scenario; a hacktivist interrupts
the feed into the teleprompter that is scrolling the words for the
SOTU address to G W Bush. Too much on automatic pilot to notice,
Bush reads the hacktivist’s words to millions of people. What
we get is a live remix using the president himself as the splice
between artist and audience.
Links
http://www.towson.edu/heartfield
http://www.obeygiant.com
http://whitelead.com/jrh/screenshots/index.html
http://www.bushorchimp.com
http://evolution-control.com/sounds/gunderphonic/index.html
http://amsterdam.nettime.org/Lists-Archives/nettime-l-0202/msg00032.html
http://fuckitall.com/bsh
http://www.diymedia.net/collage/truth.htm
http://www.wiredvideo.com/clips/av/readmylips.mpg
http://detritus.net/steev/vid/nexus-6.mov
http://www.btinternet.com/~hodzic/load/EclecticMethod_Blair.wmv
http://www.lemonbovril.co.uk/bushspeech/index.html
http://www.whitney.org/artport/commissions/codedoc/Levin/axis.html
http://www.usdept-arttech.net/
http://www.experimentalparty.org
http://www.atmo.se/?pageID=4&articleID=399
more Rick Silva at
http://www.cuechamp.com
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